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    last updated:Sep-16-2008     		Association of Rasa and Kala with Raga-s
    Enjoyment of the feelings transpiring in human relationships and the time of performance have been a
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    last updated:Oct-02-2008     		Ghana, Naya and Desya Raga-s
    This classification of Raga-s was based mainly on their melodic texture, with ˜desya' referring to
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    last updated:Sep-16-2008     		Grama, Murchana and Jati (Eng & Tam)
    This is a write up on the musical concepts, Grama, Murchana and Jati, in the Gandharva system of Ma
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    last updated:Sep-16-2008     		Marga and Desi Ragas (Eng & Tam)
    Raga-s are first mentioned in the Texts of Desi tradition although the Raga-s are said to have beed
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    last updated:Sep-16-2008     		Ragadhayana and Raga-Ragini
    Deification of Raga-s and contemplation on them is a tradition that evolved in late first millenium
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    last updated:Oct-02-2008     		Suddha, Chayalaga and Sankirna Raga-s (Eng & Tam)
    This is a system of classification described in ˜Aumapatam' a text which points to a very different
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    last updated:Sep-16-2008     		Suddha-Vikrta-Svaras (Eng & Tam)
    This write up traces the history of the tonal system that is vogue today. Both English and Tamizh ve
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    last updated:Sep-16-2008     		Suryamsa, Chandramamsa and Madhyahna Raga-s
    Raga-s were assigned different parts of the day during which they should be sing. The write up, in E
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    last updated:Sep-16-2008     		Uttama, Madhyama and Adhama Raga-s
    Classification of Raga-s into Superior, Middling and Inferior Raga-s is mentioned in texts atarting
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