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Arati Rao
Girija Easwaran
Harold S. Powers
Hema Ramanathan
Hemalatha R
Jayalakshmi R S
Krishna T M
Latha R
Madhumohan, Komaragiri
Margaret Bastin
Nandhini M
Nandini Sharma Anand
Narayanaswami, P. P.
Okazaki Yasuhiro
Premalatha V
Priyashri V Rao
Ramanathan N
Richard Widdess
Ritha Rajan
Sathyanarayana R
Scanner
Seetha S
Shekar Raghavan
Shyamala Kannan Nair
Subramanian M
Subroto Roy
Suguna Varadachari
Veerapandian S.A.
Vijayakumar , Alathoor
Vijayalakshmi N
Name
Action
last updated:Sep-16-2008
Association of Rasa and Kala with Raga-s
Enjoyment of the feelings transpiring in human relationships and the time of performance have been a
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last updated:Oct-02-2008
Ghana, Naya and Desya Raga-s
This classification of Raga-s was based mainly on their melodic texture, with ˜desya' referring to
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last updated:Sep-16-2008
Grama, Murchana and Jati (Eng & Tam)
This is a write up on the musical concepts, Grama, Murchana and Jati, in the Gandharva system of Ma
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last updated:Sep-16-2008
Information on Music in Manuscripts
This document has compiled information relating to music and dance from Mansucripts preserved at the
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last updated:May-17-2011
Journal Music Academy - Articles & Keywords Index
This is a database of the articles and other features in the Journal of Music Academy, Madras. This
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last updated:Sep-16-2008
Marga and Desi Ragas (Eng & Tam)
Raga-s are first mentioned in the Texts of Desi tradition although the Raga-s are said to have beed
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last updated:Jun-15-2010
Margadarsi Seshayyangar's Compositions
As the title inside reveals, this is a reassessment of the compositions of Margadarsi Seshayyangar,
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last updated:Sep-16-2008
Ragadhayana and Raga-Ragini
Deification of Raga-s and contemplation on them is a tradition that evolved in late first millenium
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last updated:Oct-02-2008
Suddha, Chayalaga and Sankirna Raga-s (Eng & Tam)
This is a system of classification described in ˜Aumapatam' a text which points to a very different
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last updated:Sep-16-2008
Suddha-Vikrta-Svaras (Eng & Tam)
This write up traces the history of the tonal system that is vogue today. Both English and Tamizh ve
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last updated:Sep-16-2008
Suryamsa, Chandramamsa and Madhyahna Raga-s
Raga-s were assigned different parts of the day during which they should be sing. The write up, in E
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last updated:Sep-16-2008
Uttama, Madhyama and Adhama Raga-s
Classification of Raga-s into Superior, Middling and Inferior Raga-s is mentioned in texts atarting
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