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Arati Rao
Girija Easwaran
Harold S. Powers
Hema Ramanathan
Hemalatha R
Jayalakshmi R S
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Music Analysis
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Music and Education
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Musical Concepts
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Textual Study
Latha R
Margaret Bastin
Nandhini M
Nandini Sharma Anand
Narayanaswami, P. P.
Premalatha V
Priyashri V Rao
Ramanathan N
Richard Widdess
Ritha Rajan
Sathyanarayana R
Shyamala Kannan Nair
Subramanian M
Veerapandian S.A.
Vijayakumar , Alathoor
Name
Action
last updated:Sep-16-2008
Bharatacattiram (Eng & Tam)
This is a text in written in Tamizh in the post 16th century period that combines the early Tamizh t
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last updated:Sep-16-2008
Bharatasenapatiyam (Eng & Tam)
This is a text in written in Tamizh in the post 16th century period that combines the early Tamizh t
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last updated:Nov-09-2008
Gamaka-s in Sangita-sampradaya-pradarsini (Tamizh)
This is the Ph.d. dissertation of Dr. R.S.Jayalakshmi, in Tamizh titled, "Subbarama Dikshitarin Sang
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last updated:Sep-16-2008
Mahabharatacudamani (Eng & Tam)
This is a text in written in Tamizh in the post 16th century period that combines the early Tamizh t
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last updated:Sep-16-2008
Sadharana-Gandharam (Tamizh)
The Svarasthana-s denote pitch positions that serve as theoretical reference for Svara-s that go to
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last updated:Oct-01-2008
Teaching Methodology for Tanam
Use of right hand fingers for plucking is an important aspect of Tanam playing in Vina. Alternating
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