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Arati Rao
Girija Easwaran
Harold S. Powers
Hema Ramanathan
Hemalatha R
Jayalakshmi R S
Krishna T M
Latha R
Madhumohan, Komaragiri
Margaret Bastin
Nandhini M
Nandini Sharma Anand
Narayanaswami, P. P.
Okazaki Yasuhiro
Premalatha V
Priyashri V Rao
Ramanathan N
Richard Widdess
Ritha Rajan
Sathyanarayana R
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Seetha S
Shekar Raghavan
Shyamala Kannan Nair
Subramanian M
Subroto Roy
Suguna Varadachari
Veerapandian S.A.
Vijayakumar , Alathoor
Vijayalakshmi N
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Action
last updated:May-17-2011
An Empirical Study of Intonation in Raga Kalyani
Computer pitch analysis of Kalyani reveals the variability in intonation, and shows that it does not
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last updated:May-17-2011
Analyzing same svara sequences in different raga-s
Raga transcends not only the scale but also the same sequence of svara-s across allied or unrelated
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last updated:May-17-2011
On Some Adaptations of Western Concepts of Intonat
Certain basic concepts of intonation in the current South Indian râga music and their parallel conce
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last updated:May-17-2011
On the Applicability of the Ancient Sruti Scheme t
The ancient theory of 22 sruti-s illustrated by Bharata through the 2-vina experiment in the Natyasa
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last updated:May-17-2011
Pitch Analysis in Karnataka Music – An Examination
This synopsis of the doctoral thesis explains in a nutshell and provides the main contents; it gives
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